Since Dumbleton’s arrival, the festival has grown steadily, attracting larger audiences and expanding in scope. She’s made a concerted effort to represent the full spectrum of the city’s massive jazz community, which despite a general sense of unity and cooperation remains subtly segregated in various ways beyond the North Side and South Side’s geographical split. Black and white musicians don’t always interact, and there are strong divisions between mainstream players and the more celebrated avant-gardists. Taking a cue from the city’s annual Labor Day weekend Chicago Jazz Festival, Dumbleton has presented them all under a single umbrella. And while the core programming still draws from the Chicago scene, HPJF has also increasingly presented acclaimed national artists, including saxophonists Miguel Zenon and Henry Threadgill, trumpeters Ambrose Akinmusire and Amir ElSaffar, and pianists Randy Weston and Craig Taborn. Last year, Chicago Tribune critic Howard Reich called the event “indispensible,” lavish praise in a city that hosts the largest free jazz festival in the country just a few weeks earlier. “It feels like a celebration of the area and the community, and it becomes an occasion for those in the city that don’t know the area to get to know it,” says Chicago bassist and composer Joshua Abrams. “It is hard to argue with a festival that draws a cathedral full of excited listeners to check out Randy Weston at midnight.”
As a musician, I’ve dreamed for years about bringing two artistic communities together: Chicago’s modern jazz with the traditional sounds and instrumentation of Bamako, Mali. With Bamako*Chicago Sound System, I am raising funds to support an extended stay and expansive programming with West African kora master, Ballaké Sissoko and his group. This will include visiting youth in Chicago Public Schools, conducting a workshop for Chicago musicians, and developing a new collaborative musical piece with the Black Earth Ensemble that will premiere this fall at the Hyde Park Jazz Festival.
by Howard Reich
For years, the genre-bending flutist Nicole Mitchell has dreamed of collaborating with musicians from Mali.
The mystical sounds of the balafon and kora — akin to the marimba and harp — caught her ear when she was a student at Oberlin Conservatory in the late 1980s, even before she became a leading Chicago instrumentalist-bandleader in the 1990s.
After she left the city in 2011 to teach at the University of California at Irvine, she hoped to overcome formidable obstacles of geography, funding and genre to play with Malian counterparts.
Come September, Mitchell's long-delayed aspirations will be realized in Chicago, thanks to a unique convergence of support from the Hyde Park Jazz Festival, World Music Festival Chicago, Ravinia Festival and MacArthur Foundation.
by Michael Jackson
On the afternoon of Sept. 25, mulling over how to open this review as I ambled between the music stages on Midway Plaisance, a verdant stretch of Chicago’s South Side, the perfection of the summer-to-fall weather that has blessed this 10-years-young indoor/outdoor festival came to mind. Moments later, skies cracked unexpectedly and the first aggressive downpour I can recall during the history of this two-day event ensued.
It’s not over till it’s over, one might aver.
The Hyde Park Jazz Fest, which ran this year from Sept. 24–25, has traditionally been a marathon affair. The 2016 edition commenced on Saturday at 1 p.m. at the Smart Museum, and finished well past 12 a.m. with piano giant Randy Weston, who received well-wishers like a deity after his majestic solo set at Rockefeller Chapel.
Race is weighing deeply on the national consciousness whether we want it to or not. No matter how we argue the issues, we can’t argue that the issue of minority-police relations has had a lasting impact on the 2016 Presidential Election, the use of social media, the way local government interacts with citizenry, and – from my student experience – the collegiate discussion experience.
Yet as the eyes of the nation dart from tragedy to tragedy, the Hyde Park Jazz Festival in South Side Chicago is soldiering on and making itself more relevant than ever. It hopes to achieve – and in my opinion easily does – that relevancy in its artist lineup. One can also fit the larger narrative of a proud cultural showcase in the heat of a suffocating crime epidemic.
by Mark Corroto
Regard the Hyde Park Jazz Festival as you would your favorite restaurant, where it just so happens that you are best friends with the chef. You have an embarrassment of riches because everything on the menu, which is fresh and delicious, organic, and mostly locally sourced, is free to you. When they do feature a special from out-of-town it is always innovative and original. Only one problem, you can only dine there once a year.
by Howard Reich
Huge crowds, congenial atmosphere, pleasant weather — and, oh yes, more music than any individual possibly could get to.
The 10th annual Hyde Park Jazz Festival swept into the historic Chicago neighborhood over the weekend, instantly turning it into the world's largest jazz club.
Following is one listener's diary of a now-indispensable event that ends Sunday:
Arts Journal: Jazz Beyond Jazz
by Howard Mandel
Pianist Randy Weston, a magisterial musician at age 90 inspired by jazz traditions and its African basics, and trumpeter Amir ElSaffar, who has devoted himself to incorporating the Middle East’s modal, microtonal maqam legacy into compositions for jazz improvisation by members of his Two Rivers Ensemble, were highlights of last weekend’s 10th annual Hyde Park Jazz Festival. Both acts brought influences from afar back home.
The two-day fest in the neighborhood soon to host Barack Obama’s presidential library focused on local performers familiar to Chicago’s south side audiences — such as pianist Willie Pickens, alto saxist Greg Ward and singer Dee Alexander — performing on outdoor stages at the ends of a four-block long stretch of the Midway Plaisance (essentially, 59th St) girding the University of Chicago campus.
Hyde Park Herald
by Meredith Ogilvie
First time artists and seasoned musicians performed at several venues in Hyde Park during the 10th annual Hyde Park Jazz Fest (HPJF), Sept. 24-25. Despite some rain, the two-day event was enjoyed by those who attended.
The Willie Pickens Quartet opened the festival with a concert on the Midway Plaisance. The 85 year-old Chicago pianist got the crowd going alongside band members Pharez Whitted, Robert Shy and Kurt Schweitz.
New performers Thaddeus Tukes/Isaiah Collier duo are decades younger than some of the other performers but brought in a moderately sized crowd and although they are still students they had a mastery of the greats like Dizzy Gillespie and Fats Waller that was not lost on the crowd.
Hosted by Jerome McDonnell
Listen to Hyde Park Jazz Festival Director Kate Dumbleton on WBEZ's Worldview here.
by Howard Reich
For its 10th anniversary, the Hyde Park Jazz Festival has put together its most dynamic lineup yet, at least on paper.
As always, all the performances are free and will take place in venues across the neighborhood on Saturday, and on the Midway Plaisance on Sunday.
Following is an annotated guide to the most promising events. For the complete schedule, visit www.hydeparkjazzfestival.org.
Hyde Park Herald
by Allison Matyus
The 10th Annual Hyde Park Jazz Festival features about 200 musicians on its diverse lineup scattered over 13 stages with 34 shows. Some of those 200 musicians are South Side locals who are honored to play in their own backyard.
Victor Goines is a clarinetist and saxophonist who has played at local venues such as Room 43, 1043 E. 43rd St., and is a resident of the Kenwood neighborhood, but his roots are tied to his hometown of New Orleans.
“Chicago is that completion of a triangle of jazz between New Orleans, Chicago and New York,” he said.
by Howard Reich
To celebrate its 10th anniversary, the Hyde Park Jazz Festival commissioned alto saxophonist and MacArthur Fellowship winner Miguel Zenon to create a work he could perform with Chicago's Spektral Quartet.
The world premiere of "Yo Soy La Tradicion" ("I Am Tradition") will start at 7:15 p.m. Saturday at the University of Chicago's Logan Center for the Arts.
"I've been exploring certain musical and cultural traditions that are connected to the rural areas of the island," says Zenon, in an email, in explaining the origins of a piece inspired by his native Puerto Rico.
by Mark Guarino
The 10th annual Hyde Park Jazz Festival boasts its best lineup yet. Use the musical math below to find your perfect set.
Hear John Coltrane's 1965 opus like never before: paired with a work by local modern tap collective M.A.D.D. Rhythms that combines Coltrane's chant-driven tunes, African dance, and even a Mos Def sample. GO: September 24 at 9:30 p.m., Reva and David Logan Center for the Arts, 915 E. 60th St.
MIGUEL ZENON AND SPEKTRAL QUARTET
MacArthur "genius" Zenon, a composer and saxophonist known for fusing jazz and Afro-influenced music from his native Puerto Rico, adds an extra level of experimentation with a jibaro-tinged commission for Chicago's Spektral Quartet. GO: September 24 at 7:15 p.m., Reva and David Logan Center for the Arts, 915 E. 60th St.
by Paul Joseph
Hyde Park has been a major hub for arts and culture in Chicago for many years, but never more so than when it hosts its annual Jazz Festival. Held each year since 2007, the two-day event draws visitors from far and wide to enjoy a fantastic line-up of local and national jazz artists and performers. Free to enter, it is now well established as Chicago’s premier music festival and its growth is further demonstrated this year with a bolstered programme that will mean even more music to the ears of the 20,000+ jazz lovers expected to attend. As well as its musical offerings, there’ll also be an outdoor dance floor, a wide choice of food and beverage vendors and a picnic area.
by Peter Margasak
Pianist Randy Weston turned 90 this year, but by all accounts he’s undiminished by age. He was integral to the development of hard bop in the 1950s—he wrote standards such as “Berkshire Blues” and “Hi-Fly”—and since then he’s become a thoughtful extender of its reach. Perhaps no single jazz musician has done more to integrate music from Africa, particularly Morocco, where Weston lived and owned a nightclub in the late 60s and early 70s. He’s always exuded serious presence at the piano, and not just because he’s six foot eight—his left-hand figures are never less than commanding, with a low end that can get people dancing or summon an ominous portent.
by Peter Margasak
It’s impossible to guess what any given performance by Matana Roberts will entail—especially a solo set. The reedist, composer, and Chicago native’s two most recent albums are both solo efforts, and they could hardly be more different. Early last year she released River Run Thee (Constellation), the third and latest installment of her ambitious Coin Coin project, a sprawling genealogical exploration via music and text of the slave trade and African diaspora in North America. Years ago she described her technique to me as “panoramic sound quilting,” and that’s never been more apt—she layers spoken word, singing, atmospheric synth, and sweet melodies on alto saxophone as she melds original material with historical writings, old American patriotic songs, spirituals, and more.
Chicago Daily Herald
by Jacky Runice
A solid 10 on the jazz-o-meter
The 2016 Hyde Park Jazz Festival offers two days of live jazz on 11 stages in and around Midway Plaisance, near the Museum of Science and Industry. The 10th annual event features special acts including Randy Weston's 90th birthday solo at the Rockefeller Chapel; Dwight Trible joining Dee Alexander; a solo by Matana Roberts; and a commission by Miguel Zenon for Spektral Quartet, among many others. See and hear national and international jazz artists; spin on the outdoor dance floor; refuel at food and beverage vendors; shop artisan vendors; and check out the story-share booth.
by Peter Margasak
From its start a decade ago, the Hyde Park Jazz Festival has offered a superb portrait of the Chicago jazz scene. But in recent years, under the direction of Kate Dumbleton, the weekend affair has become a magnet for global talent. This year's installment is the best yet, with a world-premiere collaboration between Puerto Rican reedist Miguel Zenon and Spektral Quartet and performances from Amir ElSaffar's Two Rivers Ensemble, Matana Roberts, Randy Weston, and Trip with Tom Harrell and Mark Turner, along with the usual bounty of the city's best working outfits as well as some new projects, including a tantalizing quartet with Joshua Abrams, Ari Brown, Jeff Parker, and Gerald Cleaver. —Peter Margasak at various times and venues. Suggested donation $5; festival pass $125. For the full lineup, go to hydeparkjazzfestival.org.
by Howard Reich
The complete lineup for the 10th annual Hyde Park Jazz Festival, running Sept. 24 and 25 across the South Side neighborhood, will feature Dana Hall discussing his 2015 work "The Hypocrisy of Justice"; Willie Pickens Quartet; Matt Ulery's Loom; Thaddeus Tukes/Isaiah Collier Duo; Roy McGrath/Bill Cessna Duo; Clark Sommers' Ba(SH); Lorin Cohen Group; Quentin Coaxum Quintet; Marvin Tate's Weight of Rage; Maggie Brown; Orbert Davis Sextet's "Tribute to Freddie Hubbard"; Douglas Ewart and Orbit; Chicago Jazz Orchestra; and Marquis Hill's Blacket, among others.